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以上雲端電視網使用最新標準 HTML 5 支援3D
WebM Video for Microsoft Internet Explorer 9 (視訊新超速引擎)
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Chamber Concerto for Piano and Violin with 13 Wind Instruments (1923-25)
I. Thema scherzoso con variazioni
II. Adagio
III. Rondo ritmico con introduzione
Performed:『【Conductor】Pierre Boulez / Ensemble InterContemporain』
【Pianist】Daniel Barenboim
Daniel Barenboim, piano
Pinchas Zukerman, violin
Ensemble InterContemporain
Pierre Boulez
Alban Berg's Chamber Concerto (1923-1925)
followed on the heels of the composer's greatly successful opera Wozzeck (1917-1922).
Dedicated to Berg's teacher, mentor, and friend Arnold Schoenberg,
the Chamber Concerto is a transitional work,
marking the near-end of the composer's freely atonal period and
approaching Schoenberg's twelve-tone technique.
The concerto, in fact, actually features a number of 12-note rows,
though they are not yet used in a thoroughly systematic fashion.
In the year following the concerto's completion,
Berg finished the well-known Lyric Suite (1925-1926),
his first extended work in the twelve-tone idiom.
The Chamber Concerto is remarkable for the thoroughness of its organization;
that is, it was composed with rigorous attention to minute details, and
its structure is derived from a series of complex mathematical relationships.
This is evident, for example,
in the number of measures in each of the work's three movements.
The first movement consists of variations
that appear in alternating sets of 30 and 60 measures, totalling 240 measures;
the second movement is exactly 240 measures long; and
the number of measures in the final movement
is equal to the sum of the measures in the first two (480).
The work is both motivically and thematically highly integrated,
with material from the first two movements returning in the final movement.
The concerto is thus symmetrical and balanced in a manner
associated less often with Berg than with Anton Webern,
Berg's fellow Schoenberg disciple.
The concerto has been described as
a manifestation of Berg's early "constructivist" tendencies
and is notable for the manner in which Berg combines atonal and
twelve-tone music in the same work with ease.
聽聽不喜歡他的人怎麼說?
「在他的作品中，不同音高的各音之間的結合，
不再像傳統音樂那樣，以某個音為中心；
不協和和弦也不再像傳統的音樂那樣，需要『解決』到協和和弦。
他從『表現主義美學思想』中汲取靈感，先後創作了一批無調性作品，
成為第一位放棄調性的作曲家。
他的音樂語言誇張、變形、怪誕。」
西方古典音樂到瓦格納時期，已經發展到了頂點。
作曲家再也不能再寫出比前人更新更好的旋律來了，
所以，就需要找一條新的路子。就是勳伯格，
他開啟了現代古典音樂的大門，
作曲家從此再也不被傳統的音樂規律所束縛，
在作曲時得到了極大的自由。
所以，賈教授說，聽現代古典音樂，必須用不同的「耳朵」，
因為現代古典音樂是用完全不同於古典音樂的「語言」來寫的。
現代音樂表現的是聲音的複雜變化，
需要很高的智慧才能找到與眾不同的音響效果，
所以，這是音樂的最高形式。
【Global Top 20 Orchestra】- 全球頂尖20大交響樂團
-【Direct Cloud HDTV Channel】-
*01 Royal Concertgebouw Orchestra 皇家大會堂管弦樂團(荷蘭)
02 Berlin Philharmonic Orchestra 柏林愛樂管絃樂團(德國)
03 Vienna Philharmonic Orchestra 維也納愛樂管絃樂團(奧地利)
04 London Symphony Orchestra 倫敦交響樂團(英國)
05 Chicago Symphony Orchestra 芝加哥交響樂團(美國)
06 Bavarian Radio Symphony 巴伐利亞廣播交響樂團(德國)
07 Cleveland Orchestra 克里夫蘭管絃樂團(美國)
08 Los Angeles Philharmonic Orchestra 洛杉磯愛樂(美國)
09 Budapest Festival Orchestra 布達佩斯節慶管絃樂團(匈牙利)
10 Staatskapelle Dresden Orchestra 德勒斯登國立管絃樂團(德國)
11 Boston Symphony Orchestra 波士頓交響樂團(美國)
12 New York Philharmonic Orchestra 紐約愛樂(美國)
13 San Francisco Symphony Orchestra 舊金山交響樂團(美國)
14 Mariinsky Theatre Orchestra 馬林斯基劇院管絃樂團(俄羅斯)
15 Russian National Orchestra 俄羅斯國家管絃樂團(俄羅斯)
16 Leningrad Philharmonic Orchestra 列寧格勒愛樂(俄羅斯)
17 Leipzig Gewandhaus Orchestra 萊比錫布商大廈管弦樂團(德國)
18 Metropolitan Opera Orchestra 大都會歌劇院管弦樂團(美國)
19 Saito Kinen Symphony Orchestra 齊藤紀念管絃樂團(日本)
20 Czech Philharmonic Orchestra 捷克愛樂(捷克)
【特別推薦】
*Staatskapelle Berlin Orchestra 柏林德國國家歌劇院樂團
Warsaw Philharmonic Orchestra 波蘭華沙愛樂樂團
Helsingborg Symphony Orchestra 赫爾辛堡交響樂團
Concertgebouw Orchestra, Amsterdam 阿姆斯特丹音樂廳管弦樂團
Zagreb Philharmonic Orchestra 札格拉布愛樂管絃樂團
*Symphonieorchester des Bayerischen Rundfunks 巴伐利亞電台交響樂團
Philharmonia Hungarica Orchestra 匈牙利愛樂管弦樂團
Radio Kamer Filharmonie 荷蘭廣播室內愛樂
Tonhalle Orchester Zürich 蘇黎士音樂廳交響樂團
Bayerisches Staatsorchester 巴伐利亞國立歌劇院暨合唱團
Hungarian State Symphony Orchestra 匈牙利國家交響樂團
Israel Philharmonic Orchestra 以色列愛樂管弦樂團
Lucerne Festival Orchestra 琉森節慶管弦樂團
Münchner Philharmoniker 慕尼黑愛樂管絃樂團
Painter : Paul Gauguin (1848-1903) 高更
Eugéne Henri Paul Gauguin, born in Paris in 1848,
took a leading role in post-impressionism with his bold colors and primitivism.
音樂詩篇- Claude Debussy Composed "Prelude to the Afternoon of a Faun" .
音樂詩篇- Claude Debussy Composed "Ocean's 11"" .
音樂詩篇- Claude Debussy Composed "Reverie" .
音樂詩篇- Claude Debussy Composed "Deux Arabesque : Arabesque (1888)- I and II" .
音樂詩篇-德布西Claude Debussy, Arabesque #1, Piano Solo (animation ver. 2).
音樂詩篇-Khatia Buniatishvili plays Debussy "Ondine from Preludes" .
