非媒體-香蕉日報Wozzeck -slope- Berg

< WOZZECK - (Amsterdam) Louis Gentile as TAMBOURMAJOR-Berg(奧地利)

Frankfurter Museumsorchester, director: Sylvain Cambreling, Wozzeck: Dale Duesing, Marie: Kristine Ciesinski
One of the most powerful productions i have seen. Houses in all shapes and sizes return in every scene. And a marvelous peace of music. Maybe difficult at first but hang in there, you will get rewarded in the end.
Alban Berg, with Anton Webern and their teacher Arnold Schoenberg, together make up the group of composers generally known as the Second Viennese School in the early years of the twentieth century. The technical compositional systems developed by Schoenberg, a logical extension of Wagnerian chromaticism, had a profound effect on the course of music throughout the century, as traditional tonalities and keys were seemingly abandoned, dissonances differently handled and principles of musical unity developed into a very different language.
聽聽不喜歡他的人怎麼說?

「在他的作品中，不同音高的各音之間的結合，不再像傳統音樂那樣，以某個音為中心；不協和和弦也不再像傳統的音樂那樣，需要『解決』到協和和弦。他從表現主義美學思想中汲取靈感，先後創作了一批無調性作品，成為第一位放棄調性的作曲家。他的音樂語言誇張、變形、怪誕。」

西方古典音樂到瓦格納時期，已經發展到了頂點。作曲家再也不能再寫出比前人更新更好的旋律來了，所以，就需要找一條新的路子。就是勳伯格，他開啟了現代古典音樂的大門，作曲家從此再也不被傳統的音樂規律所束縛，在作曲時得到了極大的自由。所以，賈教授說，聽現代古典音樂，必須用不同的「耳朵」，因為現代古典音樂是用完全不同於古典音樂的「語言」來寫的。現代音樂表現的是聲音的複雜變化，需要很高的智慧才能找到與眾不同的音響效果，所以，這是音樂的最高形式。